Top 5 Book to Film Adaptations
August 29, 2013 § 1 Comment
I don’t know about you guys, but when I find out that one of my favourite books is being adapted to film, I immediately start micro-stressing. Will they cast the characters the way I see them in my head? Will they change important plot points? Will this book, that I have privately enjoyed for so long, now be the domain of a vapid fan-base, like Twilight was?
Film is a completely different medium to the novel, and it communicates with viewers in a wholly different way. Because of this, there is no way that a film can exactly replicate the experience of reading a beloved novel. We all know this. Sometimes, though, an astute filmmaker will somehow manage to capture the essence of the original book. That special, intangible element, unique to each and every novel, has survived the gruelling transition from page to screen, and the film becomes a special one because of it. These are five adaptations that we think did their base novels justice.
The Lovely Bones (Kalystia)
There is something very special about this novel. In reading The Lovely Bones, the reader is transported from the hellish nightmare of Susie Salmon’s rape and murder, to heaven, where Susie watches over her grieving family. I have cherished The Lovely Bones since I first read it in high school. I know the novel inside out (some sections word for word, even), so I was sceptical about a film adaptation.
But it was perfect.
Saorise Ronan embodied Susie’s frozen innocence and indescribable grief at being abducted from life. The colour palette of the film was stunning. The plot was faithful to the novel, even to the smallest details. The atmosphere of the novel was translated perfectly into the film, which was at once surreal and gritty. It was a wonderful adaptation.
The Mortal Instruments (Kalystia)
I admit I’m not the biggest fan of The Mortal Instruments series. I enjoyed them, but lost interest by the fourth one. The continuation of the series screams “money-making” to me… That said, I saw the film last Friday, and I think that the realm of Downworlders and Shadowhunters has been brought to life on the big screen. The Institute is lavish and exquisitely rendered, and the opening scene in Pandemonium was exactly as I’d pictured it. I thought Lilly Collins was well-cast as Clary, and Lena Headey was great as Jocelyn. Yeah, okay, Magnus Bane was a little wooden in his delivery, and Jace was very different to the way I’d pictured him in the novel, but Isabelle’s whip made up for it all. I recommend seeing this if you like urban fantasy.
The Prestige (Kalystia)
I can’t really explain why The Prestige was such a brilliant adaptation without giving away a major spoiler. What I can say, though, is that Christopher Nolan took the (somewhat boring) base text and reworked part of its narrative structure. The end result is a magnificent thriller which builds to a tense finale, and one of the best twist-endings you’ll ever see. The Prestige is a testament to Nolan’s storytelling prowess. The fact that he could tell the same story as the novel and achieve such a phenomenally different end result just goes to show that he is deserving of all the praise that is heaped upon him! Incidentally, The Prestige is one of the very few movies which is undeniably better than its printed counterpart.
The Girl With The Dragon Tattoo (The Swedish original – itsnotnatalie)
What can I say other than I loved, loved, LOVED this movie?! I immensely enjoyed the book (and its sequels) and this fantastic adaptation expertly transfers all the grittiness, frustration and energy of Larsson’s work from page to screen. Usually, I am firmly in the book is better camp, but I think here the movie has a slight edge – Noomi Rapace IS Lisbeth and is utter perfection in the role.
I Capture The Castle (itsnotnatalie)
I think with such a book there was always the possibility the adaptation would veer too far into the twee. Thankfully, it does not. The fantastic cast manage to convey the humour, sweetness and quaintness of the book set in the 30s without skimping on the realness and touch of darkness. Bill Nighy and Romola Garai are simply superb. A movie (and a book) I come back to time and again.