The Knife of Never Letting Go – Patrick Ness

October 5, 2013 § 4 Comments

I buy books frequently and with very little impulse control. I am surrounded by stacks of novels, both at home and at my desk at work. I lend out my novels like I’m donating a kidney – with a wrench of effort, but no hesitation. I reread books whenever I can, because I believe that if you really love something, you can’t let it go. I recommend books to anyone who will listen to me, and sometimes, to those who won’t. I have read hundreds of books – maybe even thousands. I have read across many genres, countless authors, and endless topics.

Sometimes, I come across a book that is such a blinding example of originality that it is shocking; a book with some kind of intangible element I have never come across before. Being a seasoned reader (albeit a young one), I think that this must mean that these books are something special.
The Knife of Never Letting Go is one of these books.

The Knife of Never Letting Go

The Knife of Never Letting Go

After reading Patrick Ness’ recent release, More Than This, I decided to bite the bullet and delve into his prolific trilogy, Chaos Walking. I had a vague idea of what the book was about, but didn’t really know much about why this series was lauded so much more than many of the other dystopian trilogies that have recently populated the YA market.

Todd lives in Prentisstown. There are no women in this place, and therefore no children. Todd is the youngest boy in the community, and in a few short weeks, he will become a man. Prentisstown is an agricultural society, and Todd has been raised by two sheep farmers, Ben and Cillian. He is forever accompanied by his dog Manchee, who he begrudgingly loves.
Prentisstown is a settlement on New World. The colonists of Prentisstown, who are loosely based on the Aamish, established their lives there in order to live a simpler, more wholesome lifestyle. When they landed on New World, the settlers were shocked to find it already inhabited. The indigenous aliens, referred to as the Spackle, launch a biological attack on their invaders. While the settlers are able to decimate any Spackle opposition to their newly claimed land, they find that their culture has been permanently altered by the Spackle’s attack. Animals can now talk, and, more importantly, the settlers of Prentisstown find that their thoughts and emotions are now projected, constantly and involuntarily, for anyone around them to hear. The settlers call this “Noise”.

The Noise has two main effects: firstly, the settlers can’t help but project their own thoughts and feelings at all times; and secondly, that they cannot stop themselves from hearing the Noise of others. This dramatically alters the interactions of the people of Prentisstown.

To tell you any more about the plot might be to give important information away, but I can tell you this: there’s a girl. The first Prentisstown has seen since all the women died, and she brings with her an unexpected silence. There’s a lie, and it’s a big one. There’s a death, and it’s heart-wrenchingly awful. There’s a murderous preacher with the violence only a zealot can truly possess. And there’s a secret…Oh man, is there ever a secret.

The Knife of Never Letting Go is written from Todd’s perspective. Never having been taught to read, Todd has some odd pronunciations and verbal tics. These are a little difficult to get used to at first, but I found that they quickly became quite endearing. Todd is forcibly innocent (a concept you will understand once you finish the book), but he isn’t naïve. It’s impossible to be, when you are constantly in the presence of the most intimate, base thoughts and feelings of everyone you’ve ever known. Ness writes with a simplicity that is both lovely and brutal, a dichotomy which encapsulates Todd’s story in general. Incidentally, I think this passage is beautiful:

Each of us knowing the other.

Each of us knowing the other.

In Todd, Patrick Ness has created a highly original incarnation of the unreliable narrator, and he does this with finesse that many adult novels are lacking. Todd is an interesting mixture of ignorance and worldliness; although he has only ever known the tiny world of Prentisstown, his access to the entire town’s thoughts and memories mean that he has been exposed to concepts and ideals far beyond the reach of his own experience. Trust means something entirely different when you can hear what everyone is thinking.
Also, just as an aside, Todd’s dog, Manchee, is hilarious. Although he can speak, he still has the intellectual and philosophical concerns of a dog. Usually, this manifests itself in him bugging Todd to let him do a poo (which I, being very immature in my sense of humour, find unspeakably funny).

The Knife of Never Letting Go has joined the ranks of Books That Have Made Me Cry on the Bus. I think I can safely say that this book was a much more emotional read than I was expecting. Although it is technically classed as young adult fiction, this is only because the protagonist is young. I would recommend this book to anyone who enjoys dystopian fiction, or sci fi in general, regardless of their fondness (or otherwise) for YA. You might think you’ve read about every kind of dystopia that could possibly eventuate, but Patrick Ness is here to tell you you’re wrong. This book is different, and this author might just be my new favourite.

Tanya, over at The Yeti Says, wrote a letter to The Knife of Never Letting Go. You should check it out here.

Without a filter, a man is just chaos walking.

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